ItвЂ™s as if the artists were actually on the moon when putting it together, a little out of touch with whatвЂ™s happening down on Earth. The lyrics are understandable and meaningful, about pain and escaping emotions. ItвЂ™s the kind of tune youвЂ™d hear closing out an indie coming-of-age film. The voices double as background music and complement the hardly-present string instrument. The deep, raspy voices underlying the choruses and bridge carried me through the song. The standout song is вЂњEdenвЂ™s House.вЂќ The sound is much fuller with the addition of Ladysmith Black Mambazo, a South African group. Tash Sultana adds a silky smooth voice to a track with mostly casual vocals. The album grabs my attention for a little with вЂњDaydreaming,вЂќ the most striking feature being the feminine voice on the track, albeit only briefly.

Collaborations usually add new sounds and elevate the music, presumably because of the cliche вЂњtwo heads are better than one.вЂќ ThatвЂ™s not the case here, unfortunately, until Tan comes in for the bridge, singing in French (something I didnвЂ™t even notice until my third listen). There arenвЂ™t any engaging lyrics that pull me in and force me to listen.Д¬ase in point: вЂњRushвЂќ features another artist, TГ©mГ© Tan, and still sounds like everything else. TheyвЂ™re all so one-note you canвЂ™t tell them apart. However, unlike an album such as Pony by Rex Orange County, the songs donвЂ™t flow into each other naturally. This is the type of album where if youвЂ™re not paying attention, three songs will pass by unnoticed because you canвЂ™t tell where one starts and the other ends.

ThereвЂ™s no real story, except for the chorus which repeats вЂњThis is FadoвЂќ over and over again. вЂњFado,вЂќ which references a type of Portuguese song with a melancholy theme, is made up of easy beats that build on top of each other, but the lyrics are confusing and extremely repetitive.

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